Soprano Meredith Hansen, hailed a “standout” by Ted Medrek of the Boston Herald for her performance of Antonia in Les Contes d'Hoffmann, has scored many successes, both domestically and internationally. For her performance of Rossini’s Petite Messe Solennelle with Masterworks Chorale, the Boston Globe offered the following praise: “Soprano Meredith Hansen sang the surprisingly sweet ‘Crucifixus’ with a creamy tone and soared in the ‘O salutaris hostia.’”Opera magazine (UK) deemed her “a real find”, and Opera News stated, “As Marzelline, the jailer’s daughter in love with Fidelio, soprano Meredith Hansen was a bright, clever presence, and the size and color of her voice matched the role perfectly. She succeeded where very few singers do, making perfect dramatic sense of a romantic comedy figure essentially stranded in this otherwise dark and serious work.”
Upcoming engagements in 2019 include a concert of Italian Arias (Il Trovatore, I Puritani, Andrea Chenier) and an Opera Gala in New Hampshire (Rusalka, La Traviata, among others.)
Pleased to return to the Metropolitan Opera Roster in spring 2017 for the acclaimed Francesca Zambello production of Cyrano de Bergerac, the 2017-18 season sees Ms. Hansen in a series of engagements that highlights new repertoire as well as seasoned favorites. Performing Mimi, Norma and Luisa Miller in a concert of arias with Boston Bel Canto Opera, she also joined the Boston Youth Symphony Orchestra as Frasquita in Carmen. She performs as the Soprano Soloist in the Verdi Requiem in a return engagement with Landmarks Orchestra at the iconic Boston Hatch Memorial Shell in August 2018.
Meredith Hansen’s 2015-16 season included singing as the Trainbearer in Strauss’Elektra in a return engagement with the Boston Symphony Orchestra at Boston Symphony Hall and also Carnegie Hall as well as stepping in last minute as Donna Anna in Don Giovanni with Opera in Williamsburg. She also appeared as a featured soloist at Asheville Lyric Opera's annual Gala and in a concert of Mozart Arias and Scenes (Konstanze, Fiordiligi, Contessa) with the Opera Theatre of Connecticut at the Sanibel Music Festival.
In 2014 she made her Boston Symphony debut (at Tanglewood) as soloist in Beethoven’s Choral Fantasy and in the 2014-15 season sang Donna Anna in Don Giovanni in a re-engagement with Boston Lyric Opera. She returned to the Metropolitan Opera in season 2013-14 for its production of Borodin’s Prince Igor and sang First Lady in Boston Lyric Opera’s The Magic Flute.
Ms. Hansen joined the Metropolitan Opera roster in the 2012-13 season for their productions of Carmen, Das Rheingold and Götterdämmerung, and sang as Musetta in La bohème with Cedar Rapids Opera Theatre (Deemed “Sonorous” by the Cedar Rapids Gazette). She also joined the Tallahassee Community Chorus that fall as the Soprano Soloist in Beethoven’s Missa Solemnis. Other notable engagements include singing in concert at Boston’s Hatch Shell with the Landmarks Orchestra as Tatyana, Rosina and Countess Almaviva; Carmina Burana with the Charlotte Symphony; Poulenc’s Gloria with the Plymouth Philharmonic; Beethoven’s Symphony No. 9 with the Greensboro Symphony; Mozart’s Missa Brevis and an opera recital in Aiken, SC; and Beatrice in Boston Lyric Opera’s new production of The Inspector by John Musto.
During the 2010-11 season, Meredith Hansen was a featured performer with the Boston Lyric Opera’s Signature Series (alongside opera great Joyce Castle), and made her Opera Boston debut as Marzelline in Beethoven’s Fidelio. She also made her role debut as Gretel in Boston Lyric Opera’s Hansel and Gretel, made her Jordan Hall debut as Donna Anna in Rob Kapilow’s “What Makes It Great: Don Giovanni,” and sang as soloist in Beethoven’s Symphony No. 9 with the Bozeman Symphony.
Other highlights include her mainstage debut as Frasquita in Carmen with Boston Lyric Opera, conducted by Keith Lockhart; singing as soloist in Vaughan Williams’ Dona Nobis Pacem with the Plymouth Philharmonic; in the Johnstown Symphony Orchestra Opera Gala; and her Boston Symphony Orchestra and Carnegie Hall debuts, singing Elijah under the baton of Rafael Frühbeck de Burgos. Additionally, she performed a program of scenes and arias (Juliette, Elettra, Violetta and others) on The Esplanade with Boston Lyric Opera and the Landmarks Orchestra, conducted by Charles Ansbacher.
A Richard Tucker Foundation Career Grant nominee, she has sung as Gilda with the Newton Symphony Orchestra, as well as Countess and Rosalinde with Opera by the Bay, Miss Silverpeal in Mozart’s The Impresario with MetroWest Opera, Beethoven’s Missa Solemnis with the Quincy Choral Society, Verdi’s Requiem with the Paul Madore Chorale, and Messiah with Commonwealth Opera.
Ms. Hansen was chosen for the final rounds of the 45th Annual Francisco Viñas Singing Contest in Barcelona, Spain, and awarded First Place in the Charles Lynam Competition, the Violetta DuPont Vocal Competition, and the Opera Birmingham Competition (where she was also selected as the Audience Favorite). She has been a Regional Semi-Finalist and Regional Finalist in the Metropolitan Opera National Council Auditions; was the 2010 recipient of the Stephen Shrestinian Award for Excellence from Boston Lyric Opera, which named her an Emerging Artist for their 2011-12 season; and has received grant support from the Gerda Lissner Foundation.
Originally from Cohasset, MA, Ms. Hansen received her undergraduate training at The University of Connecticut, her Master’s Degree from Boston University, and spent a year of post-graduate study at the Opera Institute at Boston University.