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Mozart & Beethoven • Nashua

  • Keefe Center for the Arts 117 Elm Street Nashua, NH, 03060 United States (map)

Mozart & Beethoven

SAT, JAN 26 • 8 PM
Keefe Center for the Arts, Nashua

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PROGRAM

Roger Kalia, guest conductor

Max Levinson, piano

FAURE Pavane
MOZART Piano Concerto No. 21
KILAR Orawa
BEETHOVEN Symphony No. 5

"The questioning, conviction and feeling in [Levinson's] playing invariably reminds us of the deep reasons why music is important to us, why we listen to it, why we care so much about it." -The Boston Globe


CONCERT INFORMATION

Saturday, January 26th at 8 pm

Keefe Center for the Arts
117 Elm Street, Nashua
(Parking and Directions)

 

TICKET PRICES

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LISTEN

Click on the tracks below to listen to the music on this program.


WATCH

Click below to watch pianist Max Levinson discussing Beethoven's Fourth Piano Concerto, which he performed with Symphony NH in 2017.


LEARN

Roger Kalia, guest conductor

Hailed as a conductor who leads with “passionate intensity” and recognized as “one to watch,” Roger Kalia is one of America’s most exciting young conductors.  A recipient of a 2013 and 2017 Solti Foundation U.S. Career Assistance Award, Kalia is currently the Assistant Conductor of Pacific Symphony and the Music Director of Pacific Symphony Youth Orchestra. Roger is one of Symphony NH's Music Director Search finalists.

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| Click here to read Roger Kalia's full bio.

Hailed as a conductor who leads with "passionate intensity" and recognized as "one to watch," Roger Kalia is one of America's most exciting young conductors. A recipient of a 2013 and 2017 Solti Foundation U.S. Career Assistance Award, Kalia is currently the Assistant Conductor of Pacific Symphony and the Music Director of Pacific Symphony Youth Orchestra. He began his tenure in 2015, and was recently awarded a two-year contract extension, becoming only the second assistant conductor in Pacific Symphony's history to receive this honor. Kalia also serves as Co-Founder and Music Director of the Lake George Music Festival in upstate New York, the premier musical arts festival in the region. Previously, he served for two seasons as Assistant Conductor of the Charlotte Symphony, where he conducted the orchestra in a variety of performances and invigorated the orchestra’s engagement with the community. Kalia has also held Music Director positions with both the Young Musicians Foundation (YMF) Debut Orchestra and Columbus (IN) Symphony Orchestra, the oldest orchestra in the state and only its fourth music director. In June 2016, Kalia led the Pacific Symphony Youth Orchestra on a highly successful tour of China, which marked the orchestra’s second international tour and its first to Asia.

In addition to his current positions, Kalia is in consistent demand as a guest conductor. In the 2017-2018 season, he makes his European subscription debut with the Szczecin Philharmonic in Poland, and returns to conduct the Bakersfield Symphony. Further recent and upcoming engagements include the National Symphony at the Kennedy Center, Chicago Sinfonietta at Symphony Hall, Long Beach Symphony, Camarada Chamber Orchestra of San Diego, Great Falls Symphony, Owensboro Symphony, Boise Philharmonic, and Adrian Symphony, among others. He has collaborated with such artists as Glenn Dicterow, David Kim, Nikki and Timothy Chooi, Randy Newman, the B-52s, Jack Black, Dan Dunn, Fei-Fei Dong, and Misha Dichter, and has served as cover conductor for the Los Angeles Philharmonic, San Diego Symphony, St. Louis Symphony, Kansas City Symphony and Indianapolis Symphony. Kalia has worked in various capacities with the New York Philharmonic, Pittsburgh Symphony, Seattle Symphony, Utah Symphony, Fort Worth Symphony, Danish National Symphony, and Royal Scottish National Orchestra, among others. Kalia conducted the Memphis Symphony in 2011 after winning Second Prize in their International Conducting Competition, which led to his debut the following season and launched his professional career.

Described as the region's 21st century "cultural renaissance" by Art in the Adirondacks and as a festival that "has a limitless horizon" by the Glens Falls Chronicle, Kalia serves as Co-Founder and Music Director of the Lake George Music Festival, whose distinguished musicians come from many of North America's finest orchestras and conservatories. This past summer, the Glens Falls Chronicle hailed Kalia’s concert with the Festival Orchestra in Beethoven’s Seventh Symphony as the “concert of the summer”. The review goes on to say, "the entire orchestra, under Roger Kalia, were all fantastic, clearly caught up in the moment and launching it and us into a musical bliss...It's hard to imagine any orchestra anywhere playing Beethoven's Seventh Symphony better than they played it that night." Through its unique and innovative artistic collaborations and outreach, the festival was recently voted the Best Annual Event by the City of Lake George and featured in Time Out New York Magazine and Saratoga Living. In the summer of 2016, Kalia created a new and innovative concert series called Sounds of Our Time, which highlights the connections between the popular music of our time and orchestral music. Over the past two seasons the concert series has focused on electronic music, specifically electronic dance music (EDM), by having the Festival Orchestra collaborate with Billboard artists like MAKO and Balún in concerts that combine electronica with symphonic music, one of the first collaborations of its kind. These collaborations have gained national publicity by being featured in the League of American Orchestras The Hub, Broadway World, EDMjoy, the Albany Times Union, and Saratoga Living. The Festival Orchestra has been featured on a variety of radio programs including National Public Radio’s (NPR) Performance Today with Fred Child and WQXR-NY.

Kalia started his career as Music Director of the YMF Debut Orchestra of Los Angeles (2012-2015), following in the footsteps of such conductors as Michael Tilson Thomas and Andre Previn. Kalia led the orchestra in a variety of repertoire from Mozart through music by acclaimed video game and film composers. Highlights of his tenure included four world premieres, collaborations with violinist Glenn Dicterow and pianist Misha Dichter at UCLA’s Royce Hall, a production of Stravinsky’s L’Histoire du Soldat with actors Jack Black and Michael Lerner at the Los Angeles County Museum of Art, the Los Angeles premiere of Michael Giacchino’s Star Trek Into Darkness at the orchestra’s 60th Anniversary Gala Concert, and a collaboration with the Angel City Chorale of Mendelssohn’s A Midsummer Night’s Dream in celebration of Shakespeare’s 450th anniversary. In addition, Kalia led the Debut Orchestra in the orchestra’s first-ever performance at the Our Lady of Angels Cathedral (the largest church in Los Angeles) in December 2012 for the Virgin of Guadalupe Festival with more than 2,000 people in attendance as well as being live-streamed worldwide.

In addition to being a two-time recipient (2017 and 2013) of a Solti Foundation U.S. Career Assistance Award, Kalia also held fellowships with the Chicago Sinfonietta as part of their Project Inclusion program, and the 2010 American Academy of Conducting at the Aspen Music Festival, where he worked with Robert Spano. He was also an active participant at the 2011 Conductors Guild Conductor/Composer Training Workshop at the Cabrillo Festival of Contemporary Music, chosen by Marin Alsop. That same year David Zinman invited him to conduct the Tonhalle Orchestra Zurich in his international conducting masterclass at the Zurich Festspiele. In 2013 Kalia worked with Kurt Masur at his annual Conducting Seminar at the Manhattan School of Music. Passionate about teaching the next generation of musicians, Kalia maintains a regular teaching relationship with the Colburn School and Cal State Fullerton, and he recently conducted the 2018 Missouri All-State Symphony Orchestra.

Kalia has commissioned and programmed more than 100 works by some of America’s brightest and innovative composers including Mason Bates, David Lang, Chris Rogerson, Harry Stafylakis, Michael Daugherty, Paul Dooley, and Paul Chihara, among others. With the Pacific Symphony Youth Orchestra, Kalia has expanded the orchestra’s programming by including a number of contemporary works. He led the world premiere of Narong Prangcharoen’s Lighter than Air, which was a featured work on the orchestra’s 2017 China Tour, and he will also conduct the world premiere of Brendan Faegre’s Analog Intelligence and Austin Wintory’s Journey Suite (the first-ever Grammy nominated video game score) during the upcoming season. This past summer, Kalia led Sheridan Seyfried's Concerto For Two Violins and Orchestra to rave reviews with the Lake George Music Festival Symphony Orchestra and soloists Nikki and Timmy Chooi, which was the orchestra's first-ever commissioned work. The work was recently broadcasted on NPR’s Performance Today with Fred Child.

A native of New York, Kalia received his Doctorate from Indiana University, where he served as an Associate Instructor and Assistant Conductor of the IU Opera Theater and New Music Ensemble. He also holds degrees from the University of Houston and SUNY Potsdam's Crane School of Music. His primary mentors include David Effron, Arthur Fagen, and Franz Anton Krager.

Max Levinson, piano

Known as an intelligent and sensitive artist with fearless technique, Max Levinson has performed as a soloist with Symphony NH, St. Louis Symphony, Detroit Symphony and more to wide acclaim. “The pianist’s quietly eloquent conceptions, formidable technique and lovely touch left little else to be desired.” The New York Times.

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| Click here to read Max Levinson's full bio.

Pianist Max Levinson is known as an intelligent and sensitive artist with a fearless technique. Levinson's career was launched when he won First Prize at the Guardian Dublin International Piano Competition, the first American to achieve this distinction. He received overwhelming critical acclaim for his two solo recordings on N2K Encoded Music, and was awarded the prestigious Avery Fisher Career Grant. In 2005, he was given the Andrew Wolf Award for his chamber music playing. The Boston Globe proclaimed: "The questioning, conviction, and feeling in his playing invariably reminds us of the deep reasons why music is important to us, why we listen to it, why we care so much about it."

Max Levinson has performed as soloist with the San Francisco Symphony, St. Louis Symphony, Los Angeles Philharmonic, Detroit Symphony, Baltimore Symphony, New World Symphony, Indianapolis Symphony, Colorado Symphony, Oregon Symphony, St. Paul Chamber Orchestra, Utah Symphony, Boston Pops, Los Angeles Chamber Orchestra, and National Symphony Orchestra of Ireland among others. He has worked with such conductors as Robert Spano, Neemi Järvi, Uriel Segal, Joseph Swensen, Jeffrey Kahane and Alasdair Neale. Recital appearances include Washington Performing Arts Society’s "Kreeger String and Hayes Piano Series" at the Kennedy Center, Tonhalle Orchester Zurich’s "Competition Winner Series," Ravinia’s "Rising Stars," Lincoln Center’s "What Makes it Great" and the FleetBank Boston "Emerging Artists Series."

Artistic Director of the San Juan Chamber Music Festival (in Ouray, Colorado) and former Co-Artistic Director of the Janus 21 Concert Series in Cambridge, Massachussetts, Max Levinson is an active chamber musician. He has collaborated with such renowned artists as the Tokyo Quartet, Vermeer Quartet, Borromeo Quartet, Mendelssohn Quartet, the Jacques Thibaud String Trio, Benita Valente, Richard Stoltzman, Pinchas Zukerman, Joseph Silverstein, Stefan Jackiw, Young Uck Kim, Arnold Steinhardt, David Finckel, Daniel Phillips, Nathaniel Rosen, Carter Brey, Allison Eldredge, Alisa Weilerstein, Christopheren Nomura, and Heiichiro Ohyama. He has appeared at major music festivals including Mostly Mozart, Santa Fe, Marlboro, Tanglewood, La Jolla, Bravo/Vail, Seattle, Perugia, Chichibu, Killington, Vancouver, Cartagena, and Switzerland’s Davos Festival.

Max Levinson's debut recitals at Lincoln Center's Alice Tully Hall and London's Wigmore Hall as the Guardian Competition winner were critical successes and received standing ovations. He performed ambitious programs, which included works by Bartók, Brahms, Chopin, Liszt, Schönberg, Schubert and Kirchner. Of the New York debut performance, The New York Times wrote that Levinson's "quietly eloquent conceptions, formidable technique and lovely touch left little else to be desired."

Max Levinson garnered international accolades for his two recordings. Max Levinson, his debut recording released immediately following his triumph in Dublin, is an extraordinarily thoughtful program that traces the musical lineage between Brahms, Schumann, Schönberg and Kirchner. The Los Angeles Times deemed Mr. Levinson "a brilliant American pianist, musically mature and fully formed technically. More important, he uses his wide spectrum of pianistic mechanics for altogether poetic ends, touching the listener deeply and often." American Record Guide declared Levinson's second disc, Out of Doors: Piano Music of Béla Bartók "an important recording and a great one. The disc blew me out of my chair, and it has taken me a long time to get back up. Hearing performances as riveting as these produces a rare frisson; indeed, this is the most brilliant and exciting Bartók piano disc I have heard. On the basis of only two recordings, Mr. Levinson has created the myth of a pianist with everything." His recording of Leon Kirchner's “Five Pieces for Piano” was chosen for the composer's complete works recording (Albany Records), alongside recordings by Leon Fleisher and Peter Serkin. His most recent recording is of the Brahms Sonatas for Violin and Piano, with violinist Stefan Jackiw (Sony Classical). He has also recorded the Brahms Horn Trio with the Santa Fe Chamber Music Festival for the Stereophile label, and the violin sonatas of Debussy, Janácek, and Prokofiev with violinist Andrew Kohji Taylor for Warner Classics. Upcoming recording projects include the complete piano music of Bruce Sutherland.

Strongly committed to nurturing young audiences, Max Levinson has been a participant in the Grammy-in-the-Schools program throughout the United States and in other outreach performances in numerous cities. He has experimented with Internet broadcast, served as Artist-in-Residence at Harvard University's Lowell House for four years, and has been featured on National Public Radio's "Performance Today" and "A Note to You." Mr. Levinson serves on the boards of the Aube Tzerko Piano Institute and AMRON (Artists Musicians Recital Opportunity Network). In 2000, he was asked by the Millennium Committee of Ireland to design a National Education Initiative, and gave a televised masterclass as part of the project. He has also taught masterclasses at the Royal Irish Academy of Music, Harvard, MIT, Brigham Young University, Rutgers, the University of Washington, UCLA, the Colburn School, Boston University, the Music Teacher’s Association of California annual convention and in various cities throughout the U.S. In 1997, he was named "Best Debut Artist" by The Boston Globe and was added to Steinway's distinguished roster of artists.

Max Levinson is Chair of the Piano Department at the Boston Conservatory, and is also a faculty member at the New England Conservatory. He was formerly on the applied music faculty of Brown University. He has recently become active as a conductor, and his performances as conductor of the Killington Music Festival and Foulger Chamber Orchestra have resulted in standing ovations and return engagements.

Born in the Netherlands and raised in Los Angeles, Max Levinson began studying piano at age five. His first teachers were Bruce Sutherland and Aube Tzerko, and as a child he also studied cello, composition and conducting. He attended Harvard University, graduating cum laude with a degree in English Literature, and later completed his graduate studies with Patricia Zander at the New England Conservatory of Music, receiving an Artist Diploma and the Gunther Schuller Medal, an award given to the school’s top graduate student.


Programs are subject to change. Tickets are nonrefundable. Group rates are available. Children age 5+ are welcome. Exchanges can be made up to 24 hours before the originally scheduled concert date. Please call for availability. Online ticket sales are available until 4 pm on the day of the concert. The box office at the concert venue opens one and a half hours before the concert.
*Free youth tickets available with purchase of an adult or senior ticket.

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